Top 100 CD’s (2000-2009) –> #30 through #39

#39: Korn/Take A Look In The Mirror (2003) — nine years after the release of their first album, Korn released album number six. A pretty impressive feat – six albums in nine years! They’re only misstep being album number five, but Take a Look… worked to correct that problem and return Korn to their roots. The riffs on Mirror were face-ripping and the rage contained in these songs kept me from breaking lots of stuff in my late 20’s. Check out: ‘Right Now,’ ‘Counting on Me,’ and ‘Did My Time.’

#38: Danzig/Circle of Snakes (2004) — Hands down my favorite Danzig album to date. With the addition of Tommy Victor (Prong) on guitar, the necessary crunch was in place to level out the rhythm section and Glenn had a perfect foil for his vocals. The result is a tigher, leaner swagger in the songs that is unparalleled on other albums. If you want some thrash and menace to your diet, this album is essential. Check out: ‘Skincarver,’ ‘1000 Devils Reign,’ and ‘Black Angel, White Angel.’

#37: Nada Surf/Let Go (2003) — I’m trying to remember if someone told me to listen to this CD or if I did more out of curiosity of hwo this band that had a hit I couldn’t remember (‘Popular,’ circa 1996) ended up on indie label, Barsuk. In any case, I hear opener ‘Blizzard of ’77,’ and I was hooked. A pure, unabashed indie pop rock record, no more or less. The band has gone on to produce two more great records in the decade, worth of listens. Check Out: ‘Happy Kid,’ ‘Inside of Love,’ and ‘Killian’s Red.’

#36: The Knife/Deep Cuts (2006) — I’ve actually only just recently discovered The Knife, but my life, and the landscape of electronic music is pretty much forever changed because of them and I don’t think, with the exception briefly of maybe The Presets or Fischerspooner, no one’s meant more this decade. Deep Cuts is an assorted collection of tunes released in the same year as their landmark album Silent Shout. You’ll probably find THAT album on hipster lists…but Deep Cuts is the real gem. Congo drums never sounded so good! Check out: ‘Heartbeats,’ ‘Pass This On,’ and ‘You Take My Breath Away.’

#35: Lamb of God/Ashes of the Wake (2004) — It’s hard to believe this album is five years old already. This was the album that put LOG on the map and for good reason. ‘The Faded Line,’ is one of the greatest metal songs of all-time (and kicks ass when snowboarding too…) Some seriously talented musicians who hit their high mark on this album but have not repeated since. Check out: ‘Omerta,’ ‘The Faded Line,’ and ‘Laid to Rest.’

#34: 30 Seconds to Mars/This Is War (2009) — originally this slot was set to go to Radiohead, but I re-listened to that album and finally got a copy of the new Mars disc. Ten years later the Radiohead album doesn’t stack up and about five listens in on 30STM and I know this album will stand in time. I’m a fan of epic, life-changing songs and am enamored with what’s been created here. Kid A, save for a couple tunes, is virtually an unlistenable album compared to their other work. Even the fact that Jared and Co. utilize the services of Kanye West on a track can’t deter their overall effort. Check out: ‘Kings and Queens,’ ‘100 Suns,’ and ‘Alibi.’

#33: A Perfect Circle/Mer De Noms (2000) — a more straightforward vehicle for Maynard James Keenan, perhaps a bit more pop or radio-friendly at the turn of the century than Tool, but the songs on both albums stand up over time. Billy Howerdel took time and crafted some incredible song with some fantastic riffs and solos. I won’t soon forget two out of the four shows I saw them at (opening for NIN on the Fragile tour and again at a pre-release party for 13th step @ Irving Plaza. Check out: ‘Judith,’ ‘The Hollow,’ and ‘Brena.’

#32: Coheed and Cambria/In Keeping Secrets of Silent Earth 3 (2003) — This was the album that really put Coheed on the map. I remember Mark Hudson and, I think, Scott McCabe turning me on to this album. It made sense Mark was a fan being a big progressive freak. I was starting to get over the whole Rush thing, but these guys just had a way of exploring the old while putting a new spin on it and not sounding overly pretentious. I guess that was the emo influence. In any case, check out: ‘In Keeping Secrets of Silent Earth: 3,’ ‘Three Evils (Embodied in Love and Shadow)’ and ‘A Favor House Atlantic.’

#31: Devildriver/Devildriver (2003) — some people have problems with first discs from someone who was in an established band and venturing into something new (but similar). Case in point, QOTSA’s first disc, Zwan, and this disc. Was DD’s first disc a dramatic departure from Coal Chamber? No. But it was definitely harder and faster and gave a sense of some of things to come. Fafara ended up starting over with all new musicians on the next album and has created some decent music over the years. This album still spoke to my ‘F-U,’ attitude and when you’re having a bad day, nothing beats throwing this on at maximum volume with tunes like ‘I Could Care Less,’ ‘Die and Die Now,’ and ‘Swinging the Dead.’

#30: Maylene and the Sons of Disaster/Maylene and the Sons of Disaster (2005) — formed when frontman Dallas Taylor got kicked out of Underoath, MATSD are the musical incarnation of the Ma Barker gang and base their music heavily on the concept of divine justice. On their first album, the band melded southern rock with thrash/metalcore. While their leanings have become increasingly southern rock, the first album was a shout out loud that goes nicely with a nice whiskey. Check out: ‘Tough As John Jacobs,’ ‘Gusty Like the Wind,’ and ‘The Road to Panther Creek.’


~ by kjbox76 on December 4, 2009.

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